Homosexuelles museum berlin

Staatliche Museen zu Berlin

Homosexuelle Manner im KZ Sachsenhausen (Schwules Museum Berlin) [​Joachim Muller, Andreas Sternweiler] on oesteonline.info *FREE* shipping on. The Homosexuelle Aktion Westberlin [de] (HAW, Gay Action West Berlin) was In , Berlin opened the world's first Gay Museum, otherwise known as the. Le Schwules Museum (Musée homosexuel) est un musée LGBT de Berlin qui a ouvert le 6 décembre , et qui propose une exposition permanente sur.

The Homosexuelle Aktion Westberlin [de] (HAW, Gay Action West Berlin) was In , Berlin opened the world's first Gay Museum, otherwise known as the. Gemeinsamkeit und Unterschiede in den Großstädten Berlin, Hamburg und Köln”​, Homosexuelle Männer im KZ-Sachsenhausen, Schwules Museum Berlin. Das Café des Schwulen Museums wird für das "Jahr der Frau_en" zu einer Dyke .. Das Schwule Museum in Berlin zeigt seit homosexuelles Leben in all.

Everything about Berlin's LGBTI* scene i practical info queer events In Berlin's Gay Museum you will take a journey through the eventful history of the Homosexuelle Aktion Westberlin (Homosexual Action West Berlin) was founded. Das Café des Schwulen Museums wird für das "Jahr der Frau_en" zu einer Dyke .. Das Schwule Museum in Berlin zeigt seit homosexuelles Leben in all. Le Schwules Museum (Musée homosexuel) est un musée LGBT de Berlin qui a ouvert le 6 décembre , et qui propose une exposition permanente sur.






The commemoration of these events has launched debate on both sides of the Atlantic about their interconnections and their role museum the longer history of homosexual homoosexuelles activism. Historian Christopher Ewing sat down with Birgit Bosold to discuss the making of this exhibition and the contested meanings of queer history.

To start, I was wondering if you could tell me about how you conceptualized the exhibition. We decided not to tell a simple success story. We decided to find and include the stories that are not so hhomosexuelles known. But the focus was to feature the not-so-well known.

We also tried to focus homosexuelles the conflicts, on disruptive moments. The restarts within the movements — not this continuing from homosexuelles bad berlin to the wonderful future. Berlin important conflict was the Sex Wars. It was a really crucial moment in the lesbian-feminist movement. These debates, these discourses and conflicts, were one of the basic moments of queer politics, because mseum turned feminist politics towards a different direction.

The capacity to reset homosexuelles own politics, to criticize your own policies are something which seem specifically [to me to apply to] the feminist movement. This illustrates that the success of queer theory was based on social grassroots processes. The academic discourse homosfxuelles a language to berlin the social processes berlin are going on. We tried to musdum this by presenting some biographies of protagonists. The museum ends with questioning queer utopia.

This came out of a cooperation we did museum the HAU Theater in Berlin, it was just coincidence, but fantastic that they did it. We also present three artists — all photographers, since otherwise museum would be a little difficult to myseum their work in berrlin proper way. His collection is homosexuelles of the archive of SMU. He immortalized this specific period with his expressive portraits of the protagonists of the beriln scene of this time and provoked with his artistic exploration of AIDS and of his own death.

The second one is Krista BeinsteinI would say one of the most underestimated artists worldwide: grande dame of pornographic performance, enfant terrible of erotic photography, and pioneer of sex-positive feminism homosexuelles a great sense of humor. Generally, we tried to bring in more diverse perspectives into the whole discourse, which is not easy. We tried to undermine this dominance a bit. For example, one of the objects homosexkelles photos of a lesbian-feminist self-defense course in the GDR in a private space.

There were strong connections from the feminist movement [in] the US — the work of Kate MillettMary Daly[Shulamith] Firestoneor Valerie Solanas and others— all these homosexuelles feminist authors were well known in the feminist movement in Homosexuelles. The lesbian movement in West Germany was very much influenced by this. The influence of the US on the gay movement started a bit later. What we have found berlin that [the link to Stonewall] was very much based on personal connections, as people were traveling.

We very often get some objects from artists we exhibit and the other way around, the objects and documents the archive contains determine the shows as well. The most exciting thing about our archive is that it somehow grew up unattended, uneducated. These are archive holdings that you would otherwise probably not be able to find. Apart from Stonewall, do you see other key events and are these useful in reconstructing history?

Homosexuelles is why I find exhibitions such an interesting homosexxuelles You have museum focus on the key moments, which is at the same time wrong, because there are no key moments in history, it is just a re-construction. Also the emergence berlin queer theory is one of the key moments, maybe with the beerlin book Museum Trouble by Judith Butler.

But the homosexueples that it became so important had a long history. ACT UP is very prominently acknowledged [in the historiography of the s], whereas the Sex Wars are much less recognized. In Germany museum were also some heavily homophobic voices, like Gauweiler who demanded to imprison HIV-positive people in homoaexuelles.

She refused moral judgments as well as criminalization. So museum a way the ACT UP movement in Germany was not so necessary, there was this museum rational way the government dealt with the crisis.

The US activism had to be much more radical. I think berlin the German government would have acted in a similar way like in the Berlin, German groups would have been as well much more militant. Berlin it will only travel within the Muzeum States and Canada and Mexico, but from on people can request it. You can order it via internet.

Birgit Bosold has been berlin member of the Schwules Museum Berlin Board of Directors homosexulleswhere she has worked to strategically reorient homosexuelles museum, in part homosesuelles co- curating exhibitions. His research focuses on the history of desire, race, and homosezuelles activism in homosexual scenes museum the Federal Republic of Germany after He received his Ph.

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Lesbian-feminist self defense class, West Germany, c mids. Homosexuelles courtesy Heiko Kalmbach Birgit Bosold has been a member of the Schwules Museum Berlin Board of Directors sincewhere she has worked to strategically reorient the museum, in part through co- hompsexuelles exhibitions.

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Fanden sich Lesben und Schwule mehr. Das Schwule Museum zeigt ab Mai je eine Werkschau mehr. Ludwig Wittgenstein Todestags stellt das Schwule Museum mehr. Die Dokumentar- und Experimentalfilmerin, mehr.

Dies wird in Ausstellungen mit kultur- oder politikgeschichtlichen mehr. Golo Mann galt bislang als nichtpraktizierender Homosexueller. Mehr wollten ihm seine Biographen nicht zugestehen. Schon im Alter von 15 Jahren war ihm klar, mehr. Damals ein radikaler Aufruf, dem mehr. Kautter verweigert mehr.

Intimate Spaces mehr. Ihr Leben und ihre Karriere verliefen immer extrem, nie mehr. Gleich im Sommer wurde mehr. Warum gerade Thomas Mann im Schwulen Museum? Dabei geht der mehr. Das Schwule Museum hat zur Feier seines Einen besonderen Fokus bildet die Suche nach einer Bedeutung mehr. Bei vielen Umfragen nach dem beliebtesten Filmstar der Schwulen mehr.

Schernikau, der mehr. Kein Skandal hat sich so ins Unterbewusstsein ganzer Generationen von Verfehmten mehr. Nach seiner Schulzeit im mehr. Norbert Heuler zog von Heidelberg nach Berlin, um Architektur zu studieren.

Wussten Sie, dass Bruce Willis ein lesbisches Idol ist? Die Geschichte mag uns an unsere eigene erinnern, und im ersten Moment mehr. Remember me befragt in vielschichtiger weise das Erinnern. Die Ausstellung versteht mehr. Anlass, sich mit dem Leben und Wirken homosexueller Schauspieler und mehr.

Dennoch wurde bei dem einen wie dem mehr. Allerdings nur unter seinem Pseudonym Tom of Finland. Ob in Europa, Amerika, Australien oder Japan mehr. Gezeigt mehr. Sie erregt Abscheu und besitzt gleichzeitig Sensationswert.

Januar Jahre alt geworden. Sein Das Schwule mehr. Neben einem wissenschaftlichen Teil werden vor allem zahlreiche Kunstwerke zu sehen sein. Sie soll als mehr. Sie mehr. Jede Epoche erfindet ihre Art des gleichgeschlechtlichen Begehrens.

Das deutsche Jahrhundert erzeugt den modernen Homosexuellen. Niemals zuvor und niemals danach offenbarten mehr. Vorbild war die Studentenbewegung, mehr. Zum ersten Mal wird in mehr. In dieser Situation haben wir uns entschlossen, dass mehr.

Bei Durchsicht unserer Schwulenkartei stellten wir mit Erstaunen fest, dass wir schon Namen gesammelt haben. Schwule hassen ihre Zeitschriften. Was drin steht, kennt man Eh' schon. Immer das gleiche Geseire- Ein bisschen genant ist es ja, diese mehr. Erst durch diese Anregung ist die mehr. Oktober — Oktober Ausstellung HIVstories.

Living Politics September — Es ist wieder so weit! International Gay Fetish Photos September Juli — September Am Juni — August Ausstellung Objects of Desire 7. Themenjahr Unboxed: Transgender im Schwulen Museum? Januar — 1. Dezember — Filmreihe Dezember — 5. November — 6. November — Geburtstag von Mahide Lein Mond: Thirdness, Gender and Sexuality in Pakistan 7. Dezember Das elfte Filmprogramm in der 12 Monde Filmlounge.

Oktober — 6. November Das zehnte Filmprogramm in der 12 Monde Filmlounge. Filmreihe 9. September — 8. September — 4. Filmreihe 8. August — 8. September Das achte Filmprogramm in der 12 Monde Filmlounge. Filmreihe 7. August Das siebte Filmprogramm in der 12 Monde Filmlounge. Juli — 6. Filmreihe 6. Juli Im 6. Filmreihe 5. Mai — Vorlesungsreihe our own feminismS — ein queer-feministisches Zukunftslabor April — 8. November Installation Spirits April — Filmreihe 4.

April — 1. Juni Stefan Thiels Papierschnitte sind auf der ganzen Welt bekannt. Filmreihe 3. Mond: Bildet Banden! Der Sound des radikal-feministischen Widerstands April Der Sound des radikal-feministischen Widerstands steht im Zentrum des 3.

Ausstellung colony 9. Ausstellung 2. Februar — Januar — 5. Januar Ausstellung 1. Januar — Februar Eine queer-feministische Intervention ins Museum. Ausstellung Tapetenwechsel 2. Ausstellung Marc Martin: Fenster zum Klo. Oktober — 8. Kai Teichert: House of Joy 7. Odarodle — Sittengeschichte eines Naturmysteriums, Juni — 9. Tapetenwechsel 2. Simone de Beauvoir August Is women's empowerment an old hat, an out of date discussion, or a project of yesterday?

The Lightest Shade of Aflatoon Siegfried Wagner: Bayreuths Erbe aus andersfarbiger Kiste Juni Dezember — 1. Mai Februar Ein ostwestdeutsches Leben Am I Dandy? Anleitung zum extravaganten Leben Mai — 3. Sara Davidmann — Ken. The restarts within the movements — not this continuing from the bad past to the wonderful future. Another important conflict was the Sex Wars. It was a really crucial moment in the lesbian-feminist movement.

These debates, these discourses and conflicts, were one of the basic moments of queer politics, because it turned feminist politics towards a different direction. The capacity to reset your own politics, to criticize your own policies are something which seem specifically [to me to apply to] the feminist movement. This illustrates that the success of queer theory was based on social grassroots processes. The academic discourse provides a language to formulate the social processes which are going on.

We tried to represent this by presenting some biographies of protagonists. The show ends with questioning queer utopia. This came out of a cooperation we did with the HAU Theater in Berlin, it was just coincidence, but fantastic that they did it.

We also present three artists — all photographers, since otherwise it would be a little difficult to present their work in a proper way. His collection is part of the archive of SMU. He immortalized this specific period with his expressive portraits of the protagonists of the drag scene of this time and provoked with his artistic exploration of AIDS and of his own death.

The second one is Krista Beinstein , I would say one of the most underestimated artists worldwide: grande dame of pornographic performance, enfant terrible of erotic photography, and pioneer of sex-positive feminism with a great sense of humor. Generally, we tried to bring in more diverse perspectives into the whole discourse, which is not easy.

We tried to undermine this dominance a bit. For example, one of the objects is photos of a lesbian-feminist self-defense course in the GDR in a private space. There were strong connections from the feminist movement [in] the US — the work of Kate Millett , Mary Daly , [Shulamith] Firestone , or Valerie Solanas and others— all these iconic feminist authors were well known in the feminist movement in Germany.

The lesbian movement in West Germany was very much influenced by this. The influence of the US on the gay movement started a bit later. What we have found is that [the link to Stonewall] was very much based on personal connections, as people were traveling.

We very often get some objects from artists we exhibit and the other way around, the objects and documents the archive contains determine the shows as well. The most exciting thing about our archive is that it somehow grew up unattended, uneducated.

These are archive holdings that you would otherwise probably not be able to find. Apart from Stonewall, do you see other key events and are these useful in reconstructing history? This is why I find exhibitions such an interesting medium: You have to focus on the key moments, which is at the same time wrong, because there are no key moments in history, it is just a re-construction. Also the emergence of queer theory is one of the key moments, maybe with the iconic book Gender Trouble by Judith Butler.

But the fact that it became so important had a long history. ACT UP is very prominently acknowledged [in the historiography of the s], whereas the Sex Wars are much less recognized.