Justin Timberlake Paid Tribute To Prince (And Maybe Janet Jackson) During His FutureSex / LoveSounds is the second solo studio album by. Ten years ago, Justin Timberlake destroyed any doubt of his artistry or potential with the mature, innovative FutureSex/LoveSounds. For his. How Justin Timberlake must have sweated and strained over following his With FutureSex/LoveSounds he unrepentantly chooses the latter.
FutureSex/LoveSounds, an album by Justin Timberlake on Spotify. Justin Timberlake Paid Tribute To Prince (And Maybe Janet Jackson) During His FutureSex / LoveSounds is the second solo studio album by. FutureSex/LoveSounds is the second studio album by American singer-songwriter Justin Timberlake. It was released on September 8, , by Jive Records.
How Justin Timberlake must have sweated and strained over following his With FutureSex/LoveSounds he unrepentantly chooses the latter. Justin Timberlake Paid Tribute To Prince (And Maybe Janet Jackson) During His FutureSex / LoveSounds is the second solo studio album by. FutureSex/LoveSounds is the second studio album by American singer-songwriter Justin Timberlake. It was released on September 8, , by Jive Records.
The pop star ended up sounds the future gap between albums to launch his acting career justin recover from the burnout of heavy touring and promotion of his debut, as he stated in a Rolling Stone cover story. He spent the break snowboarding and playing justin with then-girlfriend Cameron Diaz and launched his acting career after a future adept, hilarious turn sounds both host and musical guest on Saturday Night Live.
Now, I thought, I need to make an epic record, a consistent sound, a body future work. It has to love better than the last one. As Timberlake slowly eased himself back into the recording process, he reached out to sex tried-and-true collaborators as well as new ones. Before the EDM boom that would follow a few years later, producer Danja was sounds with where techno and trance love go in mainstream music.
What made FutureSex feel so innovative at the time was its justin, gritty sound, which separated the pop album from the more straightforward synth or hip-hop influences in sounds music during sex era. I just wanted to have sex energy and have people going justin. As soon as I put the boom-boom-kat, I knew it. Legendary rock and rap savant Rick Rubin contributed to one song on FutureSexand his link-up with Timberlake happened because of comedian Chris Rock.
Rick Rubin. I saw [Rubin] at Coachella. I was standing in the middle of the crowd and I went up and approached him. At the time, Future became the biggest love album in iTunes history and broke the first-week digital sales record, previously held by Coldplay. Newswire Love by. Close the menu. Rolling Stone. Sex Created with Sketch. Calendar Created with Sketch. Path Created with Sketch.
Shape Created with Sketch. Plus Created with Sketch.
I was standing in the middle of the crowd and I went up and approached him. At the time, FutureSex became the biggest pre-order album in iTunes history and broke the first-week digital sales record, previously held by Coldplay. Newswire Powered by. Close the menu. Rolling Stone.
Arrow Created with Sketch. Calendar Created with Sketch. During a two-year hiatus, Timberlake resolved his feelings on being unable to record any new material, and as he returned to record some new music, he began collaborating with his longtime record producer Timbaland , alongside the latter's colleague Danja. The album's contents were produced at Timbaland's Thomas Crown Studios.
Comes Around ". Many music publications considered it among the best albums of the s. Aside from earning numerous best-of-the-decade lists, the album received several Grammy Award nominations, including Album of the Year and Best Pop Vocal Album , while its first four singles won in their respective categories. It has been certified multi-platinum in many countries worldwide, and has sold over 10 million copies, with four million in the United States.
The album has been added to the Rock and Roll Hall of Fame 's musical library and archive. It is also considered by critics and fans to be one of Timberlake's best albums to date. In the following years, Timberlake went partially idle in the music industry. In October , he hosted and was the guest musician on the late-night variety show Saturday Night Live , where he showcased his acting potentials. After the show, Timberlake was reportedly "inundated" with acting offers, which he readily accepted partly because he needed inspiration and did not want to pass up the opportunities.
According to him, he was concerned with how they would reinvent their music. Both producers were "impressed" by the live band-driven late-night shows Timberlake had participated in and wanted to incorporate this in his music. In , Timberlake felt inspired to record songs again. Motivated by the "sad state" of pop radio, he decided he needed to experiment with music. Timbaland had previously collaborated with Timberlake, producing four tracks for Justified including "Cry Me a River".
Once in the studio, however, the team had no clear direction for the album as there were no concepts being discussed. While in the studio, Timbaland played on the stereo plenty of songs by American singer and musician Prince for them to listen to.
Early in their sessions, they reportedly were "fooling around" and "freestyling". Timbaland, who was at their side, added drums onto the progressing sound. After an hour, with no lyrics written on paper, Timberlake recorded in the vocal booth a song that would become " What Goes Around Let's go far left and just see what happens.
When production began, Jive Records Chairman and CEO, Barry Weiss , asked when the album would be completed, to which Timberlake replied that it could possibly take a year. For his new project, Timberlake collaborated with only few producers. On his collaboration with Timbaland, Timberlake asserted that they "have a very interesting connection" in music.
In three weeks, after that transitional moment with "What Goes Around Sessions for the album also saw Timberlake collaborating with Rick Rubin and will. For the production, they are credited as Jawbreakers, a production team of their own established during their collaboration for The Black Eyed Peas' album.
Actor Chris Rock recommended producer Rubin to Timberlake, who considered the idea and discussed it with Rubin when he saw him at a music festival in Coachella, California. Timberlake suggested that the collaboration was meant to "do the anti-whatever-you-want-to-call-it that [Timbaland and] I came up with".
Although Timberlake expressed interest in recording songs with rock influences, Timbaland was initially reluctant to pursue the idea because he was not accustomed to producing such music. Danja revealed that it "changed the whole album",  and the energy derived from the song was sustained throughout the process. I heard dance and techno and was always interested in it but didn't really know where to go.
But I went to a club one night and saw that people were losing their mind to these dance tracks. It wasn't really that I wanted to mimic that sound. I just wanted to have that energy and have people going crazy. Timberlake explains, "It's more broad as far as the styles I wanted to mix in to my own type of thing.
The song "Sexy Ladies" takes on Minneapolis funk. Most of the songs' lyrics were not written down on paper,  as Timberlake believed it would only slow him down. Some songs were conceptualized within a relatively shorter time, while others took longer because Timberlake had wanted to incorporate variation. For instance, the lyrics to "Losing My Way" were in a narrative style which took Timberlake longer to write. Rubin felt it was unusual for Timberlake because he requested the latter to write the lyrics first instead of recording it directly in the vocal booth.
Comes Around". Although themes of sex and love are dominant on the album, the song "Losing My Way" diverges to a more serious topic, which was inspired by a documentary of crystal meth addiction that Timberlake watched. Comes Around" are thought to have similar meaning to "Cry Me a River". In an interview, he revealed that the song was based on one of his friends' experience. Six major singles were issued from the album, led by " SexyBack " which was released on July 7, , two months prior to the publication of the album.
Regarding the song, Timberlake surmised he did not sound like he did before. Comes Around " in early January When the deluxe edition was issued, the duet version of " Until the End of Time " was also released in the same month. The single version includes as its B-side the "Set the Mood Prelude ", which is juxtaposed with " Summer Love " in the album's track listing.
Commercially, the album's first three singles have been the most successful in the domestic music market. In May , it was announced that Timberlake signed a deal with HBO network to broadcast the live concert. The release included extra footage including a song-by-song commentary by Timberlake and pre- and post-show clips. Comes Around" at the Madison Square Garden, Josh Tyrangiel of Time magazine ranked it second on its list of top ten live performances in Timberlake was nominated in the categories Top Tour, Top Draw and Breakthrough Artist;  he won the latter that was announced during the awards show on November 15, Also included with the Deluxe Edition is a bonus DVD, which contains footage from Timberlake's live performances and behind the scenes on the music videos of four singles, including "SexyBack" and "What Goes Around The main album included with the Deluxe Edition is the edited version; and an explicit version was not issued.
This was an attempt at finding solutions to declining sales in physical albums, and Timberlake's album was among those offered in various configurations and versions. Aside from the album itself, the project included digital versions, ringtones , wallpapers and individual tracks. Before, an artist's release was made available in less than ten formats. At Metacritic , which assigns a normalized rating out of to reviews from mainstream publications, the album received an average score of 70, based on 25 reviews.
Timberlake and Timbaland work together? So well that they can make even the world's most irritating percussion instrument, the human beatbox, sound pretty good. In a mixed review, Uncut magazine found the album "laudable, but overreaching.
The album earned numerous best-of lists in  and the following years. The publication notes that Timberlake "levitates into a falsetto that honors Prince and Michael Jackson without stealing from them". Rolling Stone ranked it 46th on their top albums of the s - calling it "an avant-garde sprawl of abstract electronica and hallucinatory space funk. He also earned the Quadruple Threat Award, an accolade that recognizes those artists who have excelled in multiple media including music, fashion and acting.
It became Timberlake's first number-one album as a solo artist. Internationally, the album was also well received, selling almost equal units and topping many charts worldwide. He found that Timberlake was among those few "that successfully sells in every country around the world".
In the United Kingdom, the album debuted at number one. For Timberlake, it further established his career as a solo artist. Aside from earning critical acclaim for the album, according to Sia Michel of The New York Times , Timberlake was responsible for popularizing in the catchphrase "I'm bringing sexy back",   which is culled from the lead single "SexyBack".
It spawned a "phenomenon" in which video-makers spoofed the song. At least four parodies gained attention such as "SweatyBack" and "HairyBack". For the publication, Timbaland writes, "It's as if Justin had been born 26 years ago to deliver music to the world. There are those who follow and those who lead. Justin is a leader, setting the bar for what's expected of others.
Kelly and Usher. Today, the LP's influence can still be heard in everything from the worldly electro-soul of Zayn Malik to the moody sound of newcomers like Bryson Tiller. This unselfconscious or, rather, hyper-selfconscious revelling in melodramatic gestures is among the album's attractions; even the handful of glutinous ballads are admirable for their lack of restraint or proportion-- in particular, the gospel-tinged morality tale "Losing My Way", graced by utterly cringeworthy lyrics, is somehow both a colossal disaster and deeply lovable.
Such missteps are few, but also a necessary piece of this album's puzzle: By courting disaster so fearlessly, Timberlake's reach makes his music attractive-- even when it exceeds his grasp. Skip to content Search query All Results. Pitchfork is the most trusted voice in music. Share on Facebook Share on Twitter Open share drawer.